Jan Miense Molenaer
Dutch Baroque Era Painter, ca.1610-1668 was a Dutch genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals. Molenaer achieved a style close to Hals early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet ((Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter's Gospel set in a Dutch Tavern in, The Denying of Peter (Museum of Fine Arts, Budapest)
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Jan Miense Molenaer Verleugnung Petri oil painting


Verleugnung Petri
1636(1636) Medium oil on canvas Dimensions 99,5 x 135 cm cjr
Painting ID::  89455 		Jan Miense Molenaer
Verleugnung Petri
1636(1636) Medium oil on canvas Dimensions 99,5 x 135 cm cjr
   
   
     
Jan Miense Molenaer Bauern im Wirtshaus oil painting


Bauern im Wirtshaus
mid 17th century Medium oil on oak panel Dimensions 30,3 x 24,6 cm cjr
Painting ID::  94073 		Jan Miense Molenaer
Bauern im Wirtshaus
mid 17th century Medium oil on oak panel Dimensions 30,3 x 24,6 cm cjr
   
   
     
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     Jan Miense Molenaer
     Dutch Baroque Era Painter, ca.1610-1668 was a Dutch genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals. Molenaer achieved a style close to Hals early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet ((Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter's Gospel set in a Dutch Tavern in, The Denying of Peter (Museum of Fine Arts, Budapest)

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